بررسی نقاشی دیواری انقلاب اسلامی با رویکرد انقلاب مکزیک

توجه : به همراه فایل word این محصول فایل پاورپوینت (PowerPoint) و اسلاید های آن به صورت هدیه ارائه خواهد شد

 بررسی نقاشی دیواری انقلاب اسلامی با رویکرد انقلاب مکزیک دارای ۲۲ صفحه می باشد و دارای تنظیمات در microsoft word می باشد و آماده پرینت یا چاپ است

فایل ورد بررسی نقاشی دیواری انقلاب اسلامی با رویکرد انقلاب مکزیک  کاملا فرمت بندی و تنظیم شده در استاندارد دانشگاه  و مراکز دولتی می باشد.

توجه : در صورت  مشاهده  بهم ریختگی احتمالی در متون زیر ،دلیل ان کپی کردن این مطالب از داخل فایل ورد می باشد و در فایل اصلی بررسی نقاشی دیواری انقلاب اسلامی با رویکرد انقلاب مکزیک،به هیچ وجه بهم ریختگی وجود ندارد

بخشی از متن بررسی نقاشی دیواری انقلاب اسلامی با رویکرد انقلاب مکزیک :

تعداد صفحات :۲۲

چکیده مقاله:

wall-painting of Iran”s and Mexic”s revolution beside their historical revolving have a lot of things to say.Getting familiar with famous artists of these two revolutions and having a more analytical glance to main elements of the artists” works, the procedure of their doing, recognizing the materials and snbstances that have been used in these works making possible for us to compare the wall-paintings of these two revolutions. In this material with a historical approach and descriptive-analytical way, revolutionary wall-painting of Iran and Mexico have been propounded in three parts:1-Presenting a summary of Mexic”s revolution history, getting familiar with wall-paintings” characteristics of Mexic”s revolution that human beings with mexican identity in visual arts area have presented to universe and getting familiar with outstanding artists of this revolution. 2-Studying the characteristics of wall-paintings of islamic revolution period of Iran and getting familiar with the artists of this area and some prominent works that have similarity with many wall-paintings of Mexic”s revolution.3-We can see the similarities between wall-paintings of the islamic revolution of Iran and the revolution of Mexico in their humanity, their artists” insight to revolution, their total structure, using their local art and new technology and their unique combination with elements. In these wall-paintings we can see the tendency to vulgar art, historical and mythical concepts, appearing the revolutionary believes with propagandistic aims and awaring the social body